Choo Meng Foo's photographic journey began at the age of fifteen, leading to early recognition when, at sixteen, he won the Best Print award in the student section of the Asian Salon competition. His work has been exhibited at the Singapore National Museum and the National University of Singapore. Over the years, his photography has been featured in publications such as Asian Geographic, Silverlining, Wave, and One magazine. Publications Lulu+3Blurb+3Amazon+3
His photographic interests are diverse, encompassing theatrical performances, portraiture, cityscapes, and arthropods. This eclectic range is showcased in his Flickr albums, where he shares collections like "Exhibition set - 6 Oct," highlighting his engagement with various subjects and themes. Blurb+3Lulu+3Lulu+3 Flickr
In addition to his photography, Choo has contributed to the field through education and writing. He has conducted seminars and workshops focusing on photography and digital post-processing techniques, aiming to enhance photographers' sensibilities, courage, and humility. His book, "100 Ways to Photography: The Expert Advice," delves into these aspects, encouraging photographers to move beyond technical skills to capture meaningful moments. Amazon+1Amazon+1
Choo has also explored the intersection of art and technology by hosting virtual exhibitions in the metaverse, such as his fourth exhibition on the Spatial.io platform. His engagement with digital platforms extends to Saatchi Art, where he offers limited edition artworks, including mixed media and photography pieces like "The Man," "A Million," and "Paradise."InstagramSaatchi Art+2Saatchi Art+2Saatchi Art+2
Through his multifaceted endeavors, Choo Meng Foo continues to blend art, architecture, and technology, contributing richly to the cultural and creative landscape.
In recent years, Choo has integrated technology into his work, focusing on the metaverse and artificial intelligence (AI). He has been actively involved in metaverse design and has shared his insights through various platforms, including a session titled "My Creative Journey," where he discussed his experiences in photography, painting, writing, and design. Artitute - Art News | Reviews
As an educator, Choo has been teaching photography techniques since 1980 and has contributed to the field through seminars and workshops on photography and digital post-processing techniques. His photographic works have been featured in publications such as Asian Geographic Magazine, Silverlining, Wave, and One. Amazon
Choo's artistic endeavors extend to painting and writing. In 2013, he held an exhibition titled "Vietnam Portrait" at the Art Accent gallery in Kuala Lumpur, Malaysia, showcasing over 20 black-and-white watercolor works that depicted the contemporary life and landscapes of Vietnam. He has also authored several books, including "One Bodhi Tree – At Yio Chu Kang Road," "Raffles Hall Spirit – Raffles Hall Plaque Unveiling and NUS Homecoming," and "Yoga Session - Manoj Class," reflecting his diverse interests and commitment to cultural documentation.Vietnam+ (VietnamPlus) Amazon+2Amazon+2Amazon+2
In the realm of urban design, Choo is a member of the team at Urban Design Asia, where he specializes in integrating technology and cultural nuances into urban design and architectural projects. His role involves leveraging his extensive experience to develop strategies that harmonize technological advancements with cultural contexts in urban environments. Urban Design Asia
Choo maintains an active online presence, sharing his artistic explorations and projects on platforms like Instagram, where he experiments with AI and digital art. He also engages with the community through his Facebook page, discussing his interests in travel, photography, writing, and painting. Instagram Facebook
In summary, Choo Meng Foo's multifaceted career reflects a deep commitment to blending art, architecture, and technology. His work not only showcases his expertise in urban design and architecture but also highlights his dedication to education and cultural exploration.
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